Total Pageviews

Showing posts with label sex. Show all posts
Showing posts with label sex. Show all posts

Wednesday, January 10, 2018

FIGHTS: Preview - La Lechuza: Revelation of the Blood Queen


New adventure pits
La Lechuza vs. Vampires in the Border Patrol


First ZBFbooks.com title of 2018 pits the hard fighting, hard loving Paula Belle Luna, Codename: La Lechuza, against the forces of darkness!  Vampires have infiltrated the Border Patrol, and its up to Paula to stop them.
In the following excerpt, Paula has discovered the menace and wants to confirm if the malevolent beings are capturing illegal immigrants and holding them prisoner for their precious blood.  She gets a ride to the Border Patrol facility just outside of San Uvalde by her arms provider, Reverend Farkas.
This book is a work of fiction.  People, places, events, and situations are the product of the author’s imagination.  Any resemblance to actual persons, living or dead, or historical events, is purely coincidental. 

Copyright 2016, 2017, 2018 Bowie V. Ibarra and ZombieBloodFights.com.  All Rights Reserved.

CHAPTER 11
LATE NIGHT INFILTRATION

          “Are you going to tell me anything, Paula?”

          “Didn’t Jesus say, ‘Silence is Golden’, padre?”

          “That wasn’t Jesus.”

          Paula had to reach out to Rev. Farkas if she was going to undertake her reconnoiter on the Border Patrol.  Making sure the kids were taken care of at the house, she had picked up most of her gear.  There was enough supplies for her recon, but she needed one last important element.

          A ride.

          “Why couldn’t you take your own car?” said Rev. Farkas, shifting the steering wheel to avoid a pothole on the road.

          “Because everyone knows my car.  Besides, your company and blessing are needed.”  She gripped her hands together, tilted her head, and fluttered her eyes in an insincere gesture.

          “You always have my blessing, Paula,” said Rev. Farkas patiently.  He couldn’t help but huff and shake his head with a grin as he turned onto a road just outside of town near the Purple Sage.  “But I’m not going with you.”

          “I’m just doing recon,” said Paula. “And I just need you to pick me up in an hour… right here.”

          Paula could see the Border Patrol building in the distance and called for Rev. Farkas to stop.

          “Alright.  Simonize our watches to one hour,” said Paula, prepping her timer on her teched-out googles.

          “Synchronize?” said Rev. Farkas, prepping his watch.

          “Whatever,” said Paula.  “On one.  In 3, 2, 1.”

          Farkas and Paula started their timer together and Paula slung her gear pouch, storing a rope and a grappling hook as well as a few other supplies, across her shoulder.  But before she stepped out, she looked to Farkas.

          “How about that blessing, padre?”

          Smiling and making the sign of the cross over Paula, Rev. Farkas gave Paula her blessing.  “Lord, bless and protect your daughter and servant, and bring her back to me in an hour.  Amen.”

          Their eyes locked.  A moment.

          “Amen,” said Paula, stepping into the night and running into the brush a few hundred yards from the facility.

          Without her original outfit, Paula had to improvise.  She had picked a pair of black spandex leggings with a thin green stripe running down the side of her legs to her green Addidas wrestling high tops.  Her throwing knives were strapped around her right thigh.  Her Bowie knife hung from her right hip.  The spandex top she was wearing matched her leggings, complete with green trim on the shoulders that ran down to her wrists.  Green trim also laced the material around her generous cleavage. And if you looked hard enough, you could see a soft belly behind the black spandex.  The lenses of her high-tech goggles were yellow and her hands were covered with loaded SAP gloves.

          Jogging through the brush, she crouched down and snapped a pic of the facility using her goggles.  Then, using the device’s projector app that produced two screens in front of her, she opened the screen and dialed up the coordinates of her location.  It was projected in one of the screens, then copied and pasted to a satellite imagery app.

          Even though she had resigned from the clandestine organization she once worked for**, the tech and apps still worked for her.  And Rev. Farkas, along with Sister Joyce, made sure to secure the apps and have access to any upgrades without ever losing info.

          As the satellite photo was being downloaded, Paula was studying a blueprint of the main building taken from the San Uvalde municipality database on the other open window.  She twisted and turned her hand in front of her face, manipulating the size of the image with the projector app.

          That’s when a text alert blinked above the open windows.

          It was Mickey.

          What R U wearing?


          “Dammit, Mickey,” whispered Paula as she checked out the now-available satellite image.  “Some other time, man.”

          The image was in great resolution, and showed not only the main office building, but the location of the warehouse, hidden in the trees and brush a few hundred yards behind the main office.  The same office from the vision.  Upon closer examination, Paula noticed a non-paved road to the warehouse was hidden in the trees.  Though a few vehicles were parked around the hidden building, there was no evidence of guard towers or people in general.  No security walking around.  Curiously, there were no windows on the upper level of the warehouse.  So there was no question the main target to investigate was the warehouse.

          So, staying in the shadows, Paula crept through the trees and brush to the warehouse.

          As she made her way, a deep sense of dread began to fill her heart with fear.  She stopped, cloaked in darkness and looked around.  She felt like a pair of eyes, or more, were looking at her.

          She turned on her infrared vision.

          Nothing.

          Night vision.

          Nothing.

          FLIR.

          Nothing.

          “Enough with the fear, Paula,” she whispered, returning the goggles to normal vision.

          Fighting through the fear, Paula emerged from the brush, still in the cover of darkness, near the building.  She clicked on the ‘Camera Freeze’ app on her goggles screen that freeze-framed security camera transmissions.  She then had the goggles perform an electronic assessment of alarms and locks.  While she let the apps do their work, she checked out the building exterior.

          Similar to the main office, this big warehouse had no windows with the exception of one large window on the third floor.  Paula assumed there was a matching one on the opposite side.  The building was made of cinder blocks and had two large metal doors at the front, big enough to drive a large vehicle through.  She switched to X-Ray vision app and immediately noticed she could not penetrate the walls with the app.

          “Hmm.”

          The electronic assessment of the alarms returned, and she optioned to have them turned off.  But the locks to the main door were not electrical.

          Taking another look at the aerial shots, Paula noticed large vents and skylights on the top of the building.  That was a new option.

          “Glad I brought you,” said Paula, pulling out a rope and hook from the bag.  Finding a good edge that looked strong enough to allow the hook to grip on the flat roof, Paula spun the hook and rope before getting enough momentum to throw it up.  The hook caught hold of an edge, and after a quick test, Paula climbed the wall.

pouch after tying it up again.  She scoped out the rooftop and could see the skylights she had viewed in the satellite images.

          “Let’s take a peekski,” she whispered, walking to a skylight.  The rocks that were spread across the tar roof crunched under her boot.  She looked around her, sensing she was being watched.

          Scream.

          Looking down into the warehouse, the lights were off.  All she could see was the soft glow of computer monitors stuck on a screen saver and other electrical devices near the floor.

          “I need light,” she whispered, activating the night vision of her goggles.  Clicking it on, she peered through the skylight.

          Help.

          Her eyes grew wide as the night vision app brought to light what was hidden.

          Help me.

          Below, in the large warehouse, were rows upon rows of white tables.  Lying on the tables, strapped down and set with multiple intravenous devices, were humans.  Apparently, they were dressed in the clothes they had been caught in and set on the tables.  Very clear streams of blood were passing through the IVs.  A mask was set over their nosed and mouths in which Paula assumed was the gas that kept them under and, perhaps, oxygen to keep them alive.

          But the most fascinating aspect was how the tables were arranged on multiple conveyer belts.  The belts ran diagonally in a cycle.  The setup reminded Paula of the old mills that cycled through with buckets scooping water into the mill, spinning it.  Even though this machine was not working now, Paula assumed that’s how it ran.

          They must cycle through every day and harvest the blood, she thought.  Fed intravenously.  Diabolical.

          “It’s quite a setup, wouldn’t you agree?”


          The voice startled Paula, who immediately turned and shined the light from her goggles on the source of the voice behind her.  The source of the comment held up her hand to the bright light.  Paula could see the woman’s lips, laced in red lipstick, curve into a smile.  She knew exactly who it was.  Bolts of fear shot through her body.

          “Why, Deborah Robins.  Taking a midnight stroll on a rooftop tonight?” said Paula, trying to stay calm.

          “You could say that,” she said.  She could feel Paula’s fear.    

          Ms. Robins was wearing a Border Patrol uniform.  Her top was unbuttoned.  Paula hated how the bitch showed off her rack.  The wind caught her jet black hair and ruffled her straight bangs.  “Just doing my job.”

          “Security, right?”

          “Right,” she replied, walking to Paula.  “You’re coming with me.”

          “How about ‘no’, dear,” said Paula, unsheathing three throwing knives from her thigh strap and jetting them toward Agent Robins.  They whistled through the air and struck true.  One struck Ms. Robins’ throat.  The second, in the chest, right between her two large breasts.  Third, her stomach.  They set in Ms. Robin’s body in a line.  Blood sputtered from the points of entry, soiling her top.

          Agent Robins gurgled in pain, removing the knives and staggering.  “You cunt,” she whispered.

          Paula pulled out the hook and rope again and untied it, ready to go over the side again.  “I’m the boss here, bitch.  Don’t fuck with me.”  Some confidence was returning.

          Ms. Robins’ gurgles turned to laughter.  Her throat sizzled and healed before Paula’s eyes.  Steam rose from the other wounds as they also healed.

          “No,” said Ms. Robins, dashing to Paula at an unearthly speed.  “I am the boss!”

          Not expecting the move and the speed, and with no time to respond, Ms. Robins shoved Paula into the air.  Taking flight, out of control, Paula was sent over the edge of the building.  Having just scaled the wall, she knew exactly what was below her.

          Paula’s body was on a crash course for the hard stones and dirt on the ground below.


          ** see ‘Codename: La Lechusa’
=  == === ==== === == =
What happens next?  Buy it now in Paperback or Kindle before the paperback HERE!

Get the hot action 1st title from the Lechuza series HERE!



Network with Bowie at:




Monday, May 6, 2013

BLOOD - REVIEW - 'Maniac' returns, making the old new again

by Bowie Ibarra

One of the things I noted at Texas Frightmare was a new poster for 'Maniac', a classic, underrated, and forgotten slasher gem from the late 70s.  When I asked about it, I was told they were remaking it with Elijah Wood.  Then I found out that they were having a showing of it that same night, and I couldn't help but have to attend.

In a way, I regret it.  It was that horrifyingly good.

The movie starts off pretty hot, and takes off from there, with the first victim eating it before the first five minutes of reel has run its course.

Like the original, the protagonist is a psychological mess who hunts down women to kill them before scalping them.  All his victims can thank his mom for raising him in such a Manson-esque environment.  Those scarring moments from his crappy childhood are put on display for all to see, the images that haunt Frank to the very day.  They are the driving force behind his mania and need to be heavily medicated to prevent from falling into his psychotic episodes.

The movie is very loyal to the original script, but turns up the violence several notches.  The first-person perspective that it is shot in also adds a massively creepy dynamic to the movie that will chill you, putting you in the driver's seat as he murders young women.  This choice, as well as others, make it just as disturbing as the original, if not more so.  You kind of have to let go of the 'CCTV' cams that would have picked up a lot of suspicious activity that he did publicly, but it's still plausible that it could go down the way it did.

As you learn more about the character's past and what a piece of shit mother he had, you can't help but feel a little sorry for Elijah's Frank.  It helps that Wood does not look half as sleazy as Joe Spinell's original.  He's just as big of a mess, though.

There are some great homage's to the movie's past, including a great shot that harkened back to the original poster, and a nod to 'Silence of the Lambs' when 'Goodbye Horses' begins to play at a curiously appropriate time in the movie.

I found myself frightened more at how truthful the experiences of the character could be building (have built?) a madman at this very moment in our modern world. 

With poor internet supervision, a gateway to great ideas or ghoulish terror, it wouldn't take long for a kid to right-click their way to naked chicks making out and then taking a shit in a cup before eating it, or a first person POV of all sorts of once-hidden freakshow intimacy put on eternal international display for cold cash.  Hell, I knew a dude who said his very own family member, who was 8, wakes up early and dials up porn on the internet.  That's the same kind of mindfuck that happen's to Frank's character in his youth, except Frank had to watch his own mother get violated of her own volition in front of him.  That gets a kid medicated, and that's even scarier.  Look at the latest string of mass murders that have a pharmaceutical culprit that is also at fault that is never talked about in the controlled news because of Big Pharma's deep pockets. 

Knowing that these kinds of monsters could be nurtured in similar environments as Frank's character was right this very moment was enough to keep me frightened even as he hunted down and sliced his way through the victims in the movie, leading to his ultimate bloody meltdown.

A wiser man than myself once said to me after I told him I was scared of spiders, that the only thing that scared him more than anything else was people.  This movie was a great example of that.  Like Manson and others, poor Frank didn't have a chance as a kid.

This movie is terrifying in so many ways that it is completely ZombieBloodFights.com approved if you can handle it.  Get a hold of the original if you can.  It will totally creep you out and is just as chilling, if not more so, than this reboot.








Check out the old and the new trailers here:

Maniac (1980)

 
 
Maniac (2013)

 
=============
 

BOWIE V. IBARRA is the author of the 'Down the Road' zombie horror series from Permuted Press and Simon and Schuster.  His latest book, 'The Cruel Fate of Dr. Brewster' McGill' is a weird western tale of snake oil, Aztec Magic, and the dead rising from the grave to attack the living.  It is available in Kindle and paperback from Amazon.com.

If you are a blogger and enjoyed the blog, please follow me.

Enjoy the blog?  Share it with your friends using the 'Facebook', 'Blogger' and 'Twitter' buttons below.

Leave a comment below using your Google+ or Blogger account.

Follow Bowie on Twitter @wingback20

Follow Bowie's Facebook page.

You can network with Bowie and read about his Tex-Mexploitation stories and check out his book trailers at his personal website, ZombieBloodFights.com.