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Showing posts with label killer. Show all posts
Showing posts with label killer. Show all posts

Wednesday, September 4, 2013

ZOMBIES/FIGHTS/BLOOD - REVIEW: 'High Midnight' the epitome of eloquent mayhem

A WEIRD WESTERN WRITTEN LIKE A CLASSICAL MASTERPIECE OF LITERATURE
by
Bowie V. Ibarra

 
 
'High Midnight' by Rob Mosca is an outrageously wild 'grindhouse pulp'-style weird western.  The story was amazingly eloquent in spite of its violent and spooky supernatural setting.  When I saw a luchador sheriff on the cover at a horror convention, I had to grab it!
 
The story is about a group of homicidal clowns who lay siege to the town bar of the haunted south Texas town of Unity.  Unity is a seedy western-style town in a modern world, which brings in the tourists, but is still lost to the progress of the state because of infestation with killer cryptids, ghosts, and the living dead.  But the town has a charm and allure that houses the world's vagrants and vagabonds looking for solitude in its creepy streets.
 
Laredo Beaumont is the sheriff of the town.  And as you might imagine, he's the right man for the job in the bizarre city.  He's a drunk and former money fighter who found, among other things, who found some peace in the city for him to drink his pain away.  He's in love with the ghost of a dead prostitute in the local brothel and managed by the mayor and her husband.  And when he's ready to lay down the law, he puts on his old money-fight luchador mask.

His only deputy and help is a bonabo chimpanzee named Cicero, whose habits are even worse than Laredo.  But they're the defenders the strange city needs.
 
The clowns who lay siege to the city are just as outrageous.  They range from the traditional buffoon to the modern juggalo.  When they hold a local bar hostage, its up to Laredo to figure out what their problem is and save its citizens in danger.
 
The reason for their assault on the city and the final battle is amazing.
 
The book is easily one of the most enjoyable I've ever read.  I was immensely pleased with the ease of eloquence that Mosca sculpted the tale.  Mosca is one of the most poetic writers I've ever read.  His prose is beautiful, even as he describes the violence and bloodshed, its a book that follows in the eloquent tradition of the classics.  There's even a human/ghost love scene that is a testament to Mosca's imagination.
 
The story is linear, but places flashbacks throughout to fit in the missing puzzle pieces to the story and build to a very enjoyable climax. The finish to the story was surprisingly touching, filling a 'love story' element to the book that readers will appreciate.
 
'High Midnight' by Rob Mosca is a weird western/'grindhouse pulp' masterpiece.  The book is completely ZombieBloodFights.com approved.  I encourage everyone who reads this review who hasn't picked up this book yet to get it today in kindle or paperback here today.
 
For more weird western reading, check out 'The Cruel Fate of Dr. Brewster McGill' from ZombieBloodFights.com.  It's the story of a snake-oil salesman who grows envious when he discovers a rival has discovered an ancient Aztec relic that creates an elixir that not only cures all, but raises the dead.  It's available in Kindle and Paperback here.
 
 
BOWIE V. IBARRA earned a BFA in Acting and an MA in Theatre History from Texas State University.  Network with Bowie and explore the ZombieBloodFights library at ZombieBloodFights.com.
 

Monday, May 6, 2013

BLOOD - REVIEW - 'Maniac' returns, making the old new again

by Bowie Ibarra

One of the things I noted at Texas Frightmare was a new poster for 'Maniac', a classic, underrated, and forgotten slasher gem from the late 70s.  When I asked about it, I was told they were remaking it with Elijah Wood.  Then I found out that they were having a showing of it that same night, and I couldn't help but have to attend.

In a way, I regret it.  It was that horrifyingly good.

The movie starts off pretty hot, and takes off from there, with the first victim eating it before the first five minutes of reel has run its course.

Like the original, the protagonist is a psychological mess who hunts down women to kill them before scalping them.  All his victims can thank his mom for raising him in such a Manson-esque environment.  Those scarring moments from his crappy childhood are put on display for all to see, the images that haunt Frank to the very day.  They are the driving force behind his mania and need to be heavily medicated to prevent from falling into his psychotic episodes.

The movie is very loyal to the original script, but turns up the violence several notches.  The first-person perspective that it is shot in also adds a massively creepy dynamic to the movie that will chill you, putting you in the driver's seat as he murders young women.  This choice, as well as others, make it just as disturbing as the original, if not more so.  You kind of have to let go of the 'CCTV' cams that would have picked up a lot of suspicious activity that he did publicly, but it's still plausible that it could go down the way it did.

As you learn more about the character's past and what a piece of shit mother he had, you can't help but feel a little sorry for Elijah's Frank.  It helps that Wood does not look half as sleazy as Joe Spinell's original.  He's just as big of a mess, though.

There are some great homage's to the movie's past, including a great shot that harkened back to the original poster, and a nod to 'Silence of the Lambs' when 'Goodbye Horses' begins to play at a curiously appropriate time in the movie.

I found myself frightened more at how truthful the experiences of the character could be building (have built?) a madman at this very moment in our modern world. 

With poor internet supervision, a gateway to great ideas or ghoulish terror, it wouldn't take long for a kid to right-click their way to naked chicks making out and then taking a shit in a cup before eating it, or a first person POV of all sorts of once-hidden freakshow intimacy put on eternal international display for cold cash.  Hell, I knew a dude who said his very own family member, who was 8, wakes up early and dials up porn on the internet.  That's the same kind of mindfuck that happen's to Frank's character in his youth, except Frank had to watch his own mother get violated of her own volition in front of him.  That gets a kid medicated, and that's even scarier.  Look at the latest string of mass murders that have a pharmaceutical culprit that is also at fault that is never talked about in the controlled news because of Big Pharma's deep pockets. 

Knowing that these kinds of monsters could be nurtured in similar environments as Frank's character was right this very moment was enough to keep me frightened even as he hunted down and sliced his way through the victims in the movie, leading to his ultimate bloody meltdown.

A wiser man than myself once said to me after I told him I was scared of spiders, that the only thing that scared him more than anything else was people.  This movie was a great example of that.  Like Manson and others, poor Frank didn't have a chance as a kid.

This movie is terrifying in so many ways that it is completely ZombieBloodFights.com approved if you can handle it.  Get a hold of the original if you can.  It will totally creep you out and is just as chilling, if not more so, than this reboot.








Check out the old and the new trailers here:

Maniac (1980)

 
 
Maniac (2013)

 
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BOWIE V. IBARRA is the author of the 'Down the Road' zombie horror series from Permuted Press and Simon and Schuster.  His latest book, 'The Cruel Fate of Dr. Brewster' McGill' is a weird western tale of snake oil, Aztec Magic, and the dead rising from the grave to attack the living.  It is available in Kindle and paperback from Amazon.com.

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You can network with Bowie and read about his Tex-Mexploitation stories and check out his book trailers at his personal website, ZombieBloodFights.com.